But that story, partly based on how brains really work, was meticulously plotted. This approach borrows from the same genetic material that made Pixar’s “ Inside Out” so popular-which took its cues from the workings of an 11-year-old girl’s mind. Starting off with only enough material for a cartoon short, however, director Tom McGrath (the “ Madagascar” franchise) and writer Michael McCullers (the “Austin Powers” sequels, “Baby Mama”) add a sibling rivalry element with a seven-year-old older brother, Tim (voiced by Miles Christopher Bakshi, grandson of animation maverick Ralph Bakshi of “Fritz the Cat” notoriety), who resents this usurper of parental love and recasts him in his imagination as a kind of briefcase-toting corporate raider of affection. That novel notion pops up early in the film and produces some of the funnier and more emotionally relatable moments. It boiled down to a precious metaphor about how a new baby in a business-suit onesie treats his parents like harried employees, conducting middle-of-the-night meetings and squalling constant demands.
Part of the problem is its source material, Marla Frazee’s 36-page picture book from 2010 whose irresistible premise transformed it into a go-to shower gift. In this case, “The Boss Baby” often tries too hard and succeeds too little. Much like any child, even a supposedly surefire nugget of an idea requires careful nurturing.
cuddly puppies in a cuteness competition and what could go wrong?Ī lot, it seems. Add a plotline that pits adorable tykes vs. Hiring Alec Baldwin to lend his calmly melodious-with-a-whiff-of-malice intonations for a tiny tycoon? Right on the money-and kudos to the movie’s makers for sneaking in a “ Glengarry Glen Ross” gag. “The Boss Baby” sounds like a killer concept for an animated caper to attract kids young and old.
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